Zwischen gestern und morgen

1947 [GERMAN]

Action / Drama / Romance / War

1
IMDb Rating 7.3/10 10 217 217

Plot summary

A group of people gathers back in the post-war ruins of a luxurious Munich hotel they inhabited at one point or another years before; each trying to cope with the tragic consequences of the war and their own actions.

Director

Harald Braun Photo
Harald Braun

Top cast

Hildegard Knef Photo
Hildegard Knef as Das Mädchen Kat
Viktor de Kowa Photo
Viktor de Kowa as Michael Rott
Adolf Gondrell Photo
Adolf Gondrell as Dr. Weber
Winnie Markus Photo
Winnie Markus as Annette Rodenwald
720p.BLU 1080p.BLU
979.48 MB
960*720
German 2.0
NR
us  
24 fps
1 hr 46 min
Seeds ...
1.78 GB
1440*1080
German 2.0
NR
us  
24 fps
1 hr 46 min
Seeds 2

Movie Reviews

Reviewed by Shezan1

A war-time "Grand Hotel" in Nazi Germany

Unexpectedly sensitive movie, structured in a series of flashbacks from different points-of-view, about the destinies of a series of residents of a large hotel in Nazi Germany and immediately after 1945. This is much less romantic than what Hollywood would have produced on the same subject, but the character of Nelly, the Jewish actress who's had to divorce her stage star non-Jewish husband, is extremely well-drawn and memorable in her dignity abd elegance. Well-worth seeing. Why did German cinema vanish soon after this movie was made? What became of good directors like Braun?
Reviewed by hcaraso

Germany's first and last neo-realistic movie

When I picked it up from my TV program, I was betting only on Viktor De Kowa, one of the few German actors who managed to stay away from Hitler's iron fist and entertained us at the end of WWII with musicals like WIR MACHEN MUSIK. To my great surprise, I watched a pretty good picture, beginning first in the Rossellini style of neo-realism, but soon moving in different directions,always steering clear from cheap or bombastic allusions. De Kowa, Knef and Birgel were perfect in their parts. I fully support Shezan1's comments, drawn probably also from TV watching. The Germans great cinema is no more, but thanks to TV we are discovering every day that they still excel in making attracting series, such as INSPECTOR DERRICK. The French are more clever, they draw money from the crowds who go to see American movies, and beef up their own movie industry. harry carasso, Paris
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