Enjoy the view of Roland Petit's "Le Jeune Homme et La Morte" and Baryshnikov's famous "pas de deux with a chair" (finally captured on film)as an almost participant, and the two self-choreographed studio sequences of Baryshnikov and Hines with a camera that moves as quickly over, below, and above the dancers as the dancers themselves. Having seen Baryshnikov live several times (once with the Kirov, then ABT, and from backstage wings once or twice), I had no problem guessing the outcome of that ruble/pirouette bet. So glory in the dance sequences and the views of two masters at work, and an enterprising and creative director with a political heart. The music is great (I particularly remember the sticky rhythmic beat of "My love is chemical" by Lou Reed). Despite the obvious age that the picture shows "White Nights" is a beautiful movie, with spectacular dancing sequences, definitely worth watching. Personally to me, it is certainly a pity that the whole story is still as appealing as it was over twenty years ago.

Overall, the acting is very good. Quite frankly, the pairing of Mikhail Baryshnikov, Greggory Hines and Isabella Rosselini is reason enough to see this film. Not that I'd recommend it to everybody. Sure, it feels kind of dated with the 80's music. And like every single dance movie I've ever seen, it's a little difficult to take it seriously when the characters suddenly stop their dialogue and dance because the screenplay says "insert stunning dance sequence here". In any case, I have always liked the tension in this movie, the struggle to be free and the dancing as a way to demonstrate all the forbidden thoughts and feelings. Baryshnikov and Hines were great dancing partners. Actually, just the dancing alone is worth watching this movie.

Overall rating: 8 out of 10.