The movie hits on all the classic stereotypes of a ghost story. There is a haunted mansion in an isolated marsh thick with fog. There is a past of a haunted suicide and a recent will. The village has a secret. The house has ghostly images, squeaks, creaks, whispers, things that move on their own, and a raven that enters it.

Our main character has a wife who has died in child birth and for some undisclosed reason this is his "last chance" with his firm so he just can't walk away. In the beginning, Radcliffe wears his hair down over his forehead leading me to suspect he really does have a permanent mark in the shape of a lightning bolt.

There is a mystery that is supposed to draw you in, but having seen so many clichés you wonder if this film will offer you anything new.

As the poorly developed Arthur (Daniel Radcliffe) sorts through the papers in the house he uncovers letters which sheds some light unto the situation, and we get to see his bolt free forehead. Radcliffe was neither an asset nor a liability. His agent did him well, but I thought he mustered more fear and terror as that Potter guy in the late sequels than he did in this film. He seems to have trouble with convincing facial expressions.

The strength of the film is in how well it utilizes all those haunted mansion clichés, the lighting...or lack of it, and the detailing of the era. Arthur is played as a rather dull character. There are things that happen to him which would have made me leap out of skin and run out the house, yet he does very little. Also Arthur is quiet as he encounters the unknown, perhaps done to build up the scare factor, but I wonder how that would have worked with a character who talks to the ghost while searching about, maybe with a comical line or two taken from "Hold That Ghost" or someone like Joe Pesci swearing obscenities at it.

Parental Guide: No f-bombs, sex, or nudity. Safe for the kids to watch on a foggy night if you want to scare the bejesus out of them.