Monsieur Vincent

1947 [FRENCH]

Biography / Drama / History

3
Rotten Tomatoes Critics - Certified Fresh 78% · 3 reviews
Rotten Tomatoes Audience - Upright 78% · 250 ratings
IMDb Rating 7.0/10 10 1122 1.1K

Plot summary

The life of Vincent de Paul, the 17th-century author and priest who founded two religious orders.

Director

Top cast

Michel Bouquet as Le tuberculeux
Jean Rougerie as Un pauvre
Robert Le Béal as Petit rôle
Jean Debucourt as Philippe-Emmanuel de Gondi, comte de Joigny
720p.BLU 1080p.BLU
1.02 GB
954*720
French 2.0
NR
Subtitles us  cn  
24 fps
1 hr 53 min
Seeds 2
1.9 GB
1430*1080
French 2.0
NR
Subtitles us  cn  
24 fps
1 hr 53 min
Seeds 5

Movie Reviews

Reviewed by brogmiller 8 / 10

"......and the greatest of these is Charity".

This film of Maurice Cloche was financed by 'the faithful' via national subscription and covers forty years in the life of Vincent de Paul who was canonised in 1737 for his sterling, tireless and utterly selfless work amongst the poor and down trodden of seventeenth century France. It is by nature episodic but that does not lessen its power to move. Cloche has been fortunate enough to secure the services of Pierre Fresnay. The chance to play the title role must have seemed manna from Heaven to this brilliant, mercurial actor who was not exactly riding high in the popularity stakes following investigations into alleged collaboration during the Occupation. His performance is one of the treasured few that transcend the art of film acting. Humanity and humility abound in his characterisation with never a trace of self-righteousness. The cast is uniformly excellent notably Aime Clariond, Jean Debucourt, Lisa Delamare and Gabrielle Dorziat. Claude Renoir has created 'painterly' images whilst Rene Renoux and Rosine Delamare contribute their customary excellence of production and costume design. Superlative title music by Jean-Jacques Grunenwald who had already shown his credentials by composing music for two 'religious' films of Robert Bresson and who was to become titular organist at Saint Sulpice in Paris. Excellent dialogue by playwright Jean Anouilh. Ironically the film poses the question as to whether those who receive charity are grateful or in fact despise those who are dispensing it. Revealing indeed is Vincent's instruction to one of his novices that the poor must be induced to forgive you for the bread you give them! It also questions the moral ambiguity of the Ladies of Charity who shun a foundling that they regard as being conceived in sin. Deservedly heaped with awards including the Oscar for Best Foreign Film before that category became a competitive affair this piece can truly be called a 'labour of love'.
Reviewed by planktonrules 8 / 10

A portion of the life story of St. Vincent de Paul

Pierre Fresnay stars as the famous Catholic saint. This film is a biography of the man but it doesn't really follow his entire life--just from the time he founded his charity for the poor until his death. So, exciting stuff in his life before this isn't even mentioned--such as his being captured and enslaved by Barbary pirates!! I think they chose to do that in order to tighten the focus of the film. Instead, it focused on the selflessness of the man, the wretchedness of the poor and the many good things he got his lady followers to do.The film is very simply made and the film seems straight forward and without the excesses of some religious movies of the day. In other words, Vincent is a man who is driven--but with no halos or crazy music or insane stares into space. I liked the film and it's a religious movie that is approachable and excels with its simplicity.
Reviewed by Bunuel1976 7 / 10

MONSIEUR VINCENT (Maurice Cloche, 1947) ***

This was only the second movie to be honored with a Special Oscar as the year's Best Foreign-Language Film, after Vittorio De Sica's SHOESHINE (1946). In retrospect, while a fine achievement in itself, it is not quite in the top rank of French productions (even those made around this same time) – for the record, the country would receive two more such wins, both for director Rene' Clement, i.e. THE WALLS OF MALAPAGA (1949) and FORBIDDEN GAMES (1952), before the category was officially incorporated into the 1956 ceremony.The film is a religious biopic, the subject being the priest revered for his unselfish aid towards the poor/moribund community in the 17th century and who would eventually be canonized as Saint Vincent De Paule; incidentally, the national old people's home (where my paternal grandfather expired in 2002) is named after him. The success of the movie rests more with Pierre Fresnay's commanding central performance (which earned him the Best Actor award at the Venice Film Festival), Jean-Jacques Grünenwald's rousing score and Claude Renoir's splendid cinematography (that said, the print I watched seemed unduly bright) than the narrative itself (though scripted by famed playwright Jean Anouilh) – which tells a pretty standard tale of a man being initially misunderstood and scorned, then endorsed and abetted. Even so, a few scenes certainly do stand out: the priest getting relentlessly stoned as he lends a helping hand to a would-be plague victim; taking the place of an exhausted galley slave; listening to the 'miserable' sounds of fellow residents at his lodgings; the fights between the myriad mangled patients for a place on the hospital's over-crowded beds, etc.The supporting cast here is notable for showcasing future stars such as Claude Chabrol regulars Michel Bouquet and Jean Carmet. By the way, given the subject matter, I was reminded throughout of two of my favourite film-maker Luis Bunuel's best efforts, namely NAZARIN (1959; which, like MONSIEUR VINCENT itself, is included in the Vatican's 45-title list of "Some Important Films"!) and VIRIDIANA (1961).
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