Plot summary
Hui Ying-hung, legendary director Chang Cheh's discovery, and the protege of equally legendary director Liu Chia-liang co-stars with Liu's nephew, Liu Chia-yung in this fast-paced, action packed comedy of kung-fu characters. Liu Chia-yung is saved from drug smugglers by Hui Ying-hung, whose godfather is a drunken master and whose leprous godmother is mistress of the fairly off-putting Leprosy Boxing style.
Director
Top cast
Tech specs
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Overly wacky and hammy, limiting its fun even as a silly comedy (which is all it is)
Decent Shaw Brothers action comedy
I thought the other reviewers on this site were a little unfair about THE TIGRESS OF SHAOLIN, a 1979 action comedy from the Shaw Brothers stable. It's certainly one of their lesser works, but it retains the gorgeous set design and colourful costumes of the rest of their output, and it features assured fight choreography, a pleasing lightness of touch, and plenty of action and incident.
I enjoyed it thoroughly. A word first, though; the title is something of a misnomer, as the female characters in this film only appear in support (a shame given that Kara Hui is excellent and really lights up the screen whenever she fights). The main character is played by the pleasingly goofy Liu Chia Yung, who plays the usual young buffoonish student type who falls in with a dodgy employer and soon learns the error of his ways when he's beaten up and left for dead in a lake. Thankfully he's taken in by a drunk beggar and the stage is set for revenge.
THE TIGRESS OF SHAOLIN is a lively affair with much to recommend it. The plot is interesting and incorporates plenty of ingredients such as the popular drunken beggar figure, the hot-headed protagonist, the female freedom fighter, and the cruel and merciless villain and his army of supporters. There's a spooky sheen to the climax, set in a graveyard and featuring some fighting styles inspired by the hopping undead! One of the supporting character is a leper which allows for the unusual sight of the hero learning the 11-step 'leper style' of fighting. All of this makes for an impressively intense climax, a fitting end to an above average movie.