Intentions of Murder

1964 [JAPANESE]

Action / Drama

6
Rotten Tomatoes Critics - Rotten 60% · 2 reviews
Rotten Tomatoes Audience - Spilled 60%
IMDb Rating 7.6/10 10 1920 1.9K

Plot summary

The neglected common-law wife of a Japanese librarian is repeatedly harassed by a young man with a heart condition who seduces her with the prospect of a better life.

Top cast

Kô Nishimura as Koichi Takahashi
Seiji Miyaguchi as Genji Miyata
Taiji Tonoyama as Musician
Tanie Kitabayashi as Kinu Takahashi
720p.WEB 1080p.WEB
1.35 GB
1280*544
Japanese 2.0
NR
23.976 fps
2 hr 30 min
Seeds ...
2.5 GB
1920*816
Japanese 2.0
NR
23.976 fps
2 hr 30 min
Seeds 6

Movie Reviews

Reviewed by chaos-rampant

Intentions of Murder

Also known as Intentions of Murder, this marks my sixth Imamura film and my appreciation for this Japanese filmmaker continues to grow. I rank him with Kurosawa among the Japanese greats. To think Hollywood has only recently been appropriating what Imamura was pioneering back in the 60's and that Imamura's film has a scarce 195 votes I believe is almost unethical. That a loveless housewife married to an abusive husband who cheats on her should fall in love with the thief who breaks in her house one night and rapes her and the resulting movie is neither played for laughs nor reduced to hokey melodrama is a testament to the creative force at hand.Imamura's uncanny ability to find the absurd in the mundane, the blackly comedic in the serious and the humane in the bleak and hopeless, this curious heady mix, eccentric but not for the sake of it, with which the director as sympathetic anthropologist handpicks his characters from the lowest strata of society, observes their struggles, triumphs and follies (like the shots of mice running aimlessly inside their cage he uses in the movie - animals, a usual if not subtle metaphor for Imamura), not with the detached amused air of the cynic (like the Coens tend to do), not to present them as quirks to amuse the sophisticated cineaste too inhibited to even aknowledge the trappings in himself, but truthfully, honestly, with a hint of sadness but never without humour to admire their downfall when they succumb at the last to their animalistic desires.Beautifully filmed, daring in its New Wave experimentation, its dynamic shots (the camera peering from improbable angles, through doorways, inside tunnels, along with moving trains), its great use of the widescreen canvas, its sound design. Recommended for fans of the director's work and anyone interested in Japanese New Wave cinema.
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Reviewed by net_orders 7 / 10

Refreshing Depiction of Strong Women!

Viewed on DVD. Restoration = nine (9) stars; cinematography/effects =nine (9) stars; translation/subtitles = four (4) stars; score = two (2) stars. Director Shouhei Imamura upends conventional contemporary film practices by showcasing strong women characters and wimpy male ones. Bravo! The evolution of leading actress Masumi Harukawa's character is the plot. She starts off as a lowly common-law wife former household maid (fresh off the farm) and ultimately achieves everything (and a bit more) on her "things-to-do" list of life goals. It is humorous to watch Harukawa (often referred to as a "large women" in line readings) fake being abused/ dominated by her male co-stars who appear physically smaller and play sickly characters to boot (one has a serious asthma (or TB?) affliction; the other an incapacitating weak heart) when she could easily flatten them both (perhaps simultaneously!). Supporting actresses also deliver strong performances (including an obsessive/comedic one). Imamura's direction is fine, but his simulated sex scenes (meant to show Harukawa's sexual power and her growing awareness of same?) are boringly repetitious and far from artful. Voice-over expository usually indicates that post-production editing has tried to compensate for inadequate direction. But not for this film. The Director inserts Harukawa's commentary (while freezing the frame) to provide a window into her thought processes as her power becomes self evident to her character. Cinematography (wide screen, black & white) and special effects are outstanding. Dolly (tracking) sequences are often remarkable and rear screen projections can be virtually flawless (its hard to tell if an exterior has been shot on a sound stage or on location). Scenes photographed at floor level are for the most part effective in that they are "interesting" and do not distract the viewer from what is being performed. Lighting is a bit on the dark side until the snow scenes which occur toward the end of the film. A fair amount of back ground dialog is not subtitled. Some translations are too long and appear on screen too briefly. The "score" is a borderline "joke." Highly recommended. WILLIAM FLANIGAN, PhD.

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